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"Some years since" said Thackeray in a public speech, "when I was younger, and used to frequent jolly assemblies, I wrote a Bacchanalian song to be chanted after dinner;" and a contemporary record has preserved a note of "the radiant gratification of his face whilst Horace Mayhew sang The Mahogany Tree, perhaps the finest and most soul-stirring of Thackeray's social songs.",

“Yes, that fire-screen will be just the thing.”,

The marchioness, who may now more properly be called Maria de Vellorno, inflamed, by artful insinuations, the passions already irritated, and heightened with cruel triumph his resentment towards Julia and Madame de Menon. She represented, what his feelings too acutely acknowledged,—that by the obstinate disobedience of the first, and the machinations of the last, a priest had been enabled to arrest his authority as a father—to insult the sacred honor of his nobility—and to overturn at once his proudest schemes of power and ambition. She declared it her opinion, that the Abate was acquainted with the place of Julia's present retreat, and upbraided the marquis with want of spirit in thus submitting to be outwitted by a priest, and forbearing an appeal to the pope, whose authority would compel the Abate to restore Julia.,

Finally something was said which was more than the redman could stand. He got up and in a dignified manner moved to the spot where his tormentors were sitting. He spoke to them in Spanish.

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Yet so ardently onwards they press,,

Ferdinand, in escaping from the hands of the banditti, it was now seen, had fallen into the power of his father. He had been since confined in an apartment of the castle, and was now liberated to obey the summons. The countenance of the marquis exhibited a ghastly image; Ferdinand, when he drew near the bed, suddenly shrunk back, overcome with horror. The marquis now beckoned his attendants to quit the room, and they were preparing to obey, when a violent noise was heard from without; almost in the same instant the door of the apartment was thrown open, and the servant, who had been sent for the marchioness, rushed in. His look alone declared the horror of his mind, for words he had none to utter. He stared wildly, and pointed to the gallery he had quitted. Ferdinand, seized with new terror, rushed the way he pointed to the apartment of the marchioness. A spectacle of horror presented itself. Maria lay on a couch lifeless, and bathed in blood. A poignard, the instrument of her destruction, was on the floor; and it appeared from a letter which was found on the couch beside her, that she had died by her own hand. The paper contained these words:,

When the first emotion of the scene was passed, Julia enquired by what means Ferdinand had come to this spot. He answered her generally, and avoided for the present entering upon the affecting subject of the late events at the castle of Mazzini. Julia related the history of her adventures since she parted with her brother. In her narration, it appeared that Hippolitus, who was taken by the Duke de Luovo at the mouth of the cave, had afterwards escaped, and returned to the cavern in search of Julia. The low recess in the rock, through which Julia had passed, he perceived by the light of his flambeau. He penetrated to the cavern beyond, and from thence to the prison of the marchioness. No colour of language can paint the scene which followed; it is sufficient to say that the whole party agreed to quit the cell at the return of night. But this being a night on which it was known the marquis would visit the prison, they agreed to defer their departure till after his appearance, and thus elude the danger to be expected from an early discovery of the escape of the marchioness.